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  • fripperiesandfobs:

Gown
1740’s (made)
1780’s (altered)
From the V&A
oh yes.



Originally, the gown was probably a sack back, with loose box pleats at  the back to allow for maximum display of the silk pattern.   The gown  would have been open down the front, with folded-back robings and  rectangular cuffs at each elbow. The last conversion in the 1780s to the  style of that time was quite clumsily executed, suggesting that perhaps  the gown had been handed down to a maid.
(V&A Museum)

This is clumsily executed? I think it looks good but hey I’m no expert. I’d love to execute my dresses so clumsily.
By the way, send more requests my way. I don’t want this blog to turn into 18th-century-obsession-fest but I’m too lazy to think of what era to post.

    fripperiesandfobs:

    Gown

    1740’s (made)

    1780’s (altered)

    From the V&A

    oh yes.

    Originally, the gown was probably a sack back, with loose box pleats at the back to allow for maximum display of the silk pattern. The gown would have been open down the front, with folded-back robings and rectangular cuffs at each elbow. The last conversion in the 1780s to the style of that time was quite clumsily executed, suggesting that perhaps the gown had been handed down to a maid.

    (V&A Museum)

    This is clumsily executed? I think it looks good but hey I’m no expert. I’d love to execute my dresses so clumsily.

    By the way, send more requests my way. I don’t want this blog to turn into 18th-century-obsession-fest but I’m too lazy to think of what era to post.

    (via defunctfashion)


  • #18th century      #1780s      #1740s      #robe a l'anglaise      #extant      




    February 8, 2011

    2 years ago





  • 18thcenturylove:

Atelier of a Painter with a Student by Marie-Victoire Lemoine, 1796

    18thcenturylove:

    Atelier of a Painter with a Student by Marie-Victoire Lemoine, 1796


  • #18th century      #painting      #chemise a la reine      #robe a l'anglaise      




    January 21, 2011

    2 years ago





  • chocolatepot:

whattheywore:

En fourreau pleats are such a pain in the ass. Especially if you’re working with a striped material. Does anybody know if it’s absolutely necessary to pleat the fabric to have an en fourreau back? Because I’ve seen gowns without pleats but none of them are actual extant examples, just movie costumes.
This one here is from Marie Antoinette. Although it’d be easier to make the back like in the picture, I want my gown to be accurate so I’m kinda stuck… Any help here?

The trouble with museum photos is that the ones that won’t zoom are generally from too far away to really tell, so I’ve found a few that look like they have the center back cut en fourreau, with shaped pieces on either side of the CB pieces: one, two, three, four, five.  However, these merely have deeply pointed backs, and aren’t en fourreau: one, two, three.  (And, for good measure, some with stitched-down pleats: one, two.)  What you might want to do - assuming you haven’t already, sorry if you have - is check Janet Arnold’s Patterns of Fashion I and Norah Waugh’s Cut of Women’s Clothes.  There are multiple patterns of robes à l’anglaise in them.  I’d look for you, but I won’t be in the same place as mine for about a week.  I can check when I get back to them, though, if you’d like.  But going by MMA examples, it looks like you could probably do and en fourreau back with shaped pieces.
You said more recently that you’re having trouble fitting the back - you might want to try Googling for directions on making a duct-tape mannequin.  I’ve never tried using one, but it’s got to be easier than fitting it to yourself.

Thank you for the answer. I also noticed two other people replied so this post is for them as well.
It’s good to know the non-pleated en fourreau back is accurate too. The examples at the Met were helpful, especially the blue Danish gown. I never came across that one when I looked on the website… I love how you can always find something new on there.
Yes, I once googled for duct tape dummy tutorials but I got bored reading them and gave up the idea. I’ll just have to ask my sister to pin the bodice lining pieces on me and see if they fit.
I did check Janet Arnold’s Patterns of Fashion but the only en fourreau gown in the book is pleated. I don’t have Norah Waugh’s book though I’ll buy it when I have more money.
As for my dress, I have already started doing the pleats. It wasn’t really that hard and I rather like how they look. I will post some photos later if the camera stops hating me.

    chocolatepot:

    whattheywore:

    En fourreau pleats are such a pain in the ass. Especially if you’re working with a striped material. Does anybody know if it’s absolutely necessary to pleat the fabric to have an en fourreau back? Because I’ve seen gowns without pleats but none of them are actual extant examples, just movie costumes.

    This one here is from Marie Antoinette. Although it’d be easier to make the back like in the picture, I want my gown to be accurate so I’m kinda stuck… Any help here?

    The trouble with museum photos is that the ones that won’t zoom are generally from too far away to really tell, so I’ve found a few that look like they have the center back cut en fourreau, with shaped pieces on either side of the CB pieces: one, two, three, four, five.  However, these merely have deeply pointed backs, and aren’t en fourreau: one, two, three.  (And, for good measure, some with stitched-down pleats: one, two.)  What you might want to do - assuming you haven’t already, sorry if you have - is check Janet Arnold’s Patterns of Fashion I and Norah Waugh’s Cut of Women’s Clothes.  There are multiple patterns of robes à l’anglaise in them.  I’d look for you, but I won’t be in the same place as mine for about a week.  I can check when I get back to them, though, if you’d like.  But going by MMA examples, it looks like you could probably do and en fourreau back with shaped pieces.

    You said more recently that you’re having trouble fitting the back - you might want to try Googling for directions on making a duct-tape mannequin.  I’ve never tried using one, but it’s got to be easier than fitting it to yourself.

    Thank you for the answer. I also noticed two other people replied so this post is for them as well.

    It’s good to know the non-pleated en fourreau back is accurate too. The examples at the Met were helpful, especially the blue Danish gown. I never came across that one when I looked on the website… I love how you can always find something new on there.

    Yes, I once googled for duct tape dummy tutorials but I got bored reading them and gave up the idea. I’ll just have to ask my sister to pin the bodice lining pieces on me and see if they fit.

    I did check Janet Arnold’s Patterns of Fashion but the only en fourreau gown in the book is pleated. I don’t have Norah Waugh’s book though I’ll buy it when I have more money.

    As for my dress, I have already started doing the pleats. It wasn’t really that hard and I rather like how they look. I will post some photos later if the camera stops hating me.

    (via mimic-of-modes)


  • #sewing issues      #personal      #ramble      #18th century      #robe a l'anglaise      




    January 19, 2011

    2 years ago





  • En fourreau pleats are such a pain in the ass. Especially if you’re working with a striped material. Does anybody know if it’s absolutely necessary to pleat the fabric to have an en fourreau back? Because I’ve seen gowns without pleats but none of them are actual extant examples, just movie costumes.
This one here is from Marie Antoinette. Although it’d be easier to make the back like in the picture, I want my gown to be accurate so I’m kinda stuck… Any help here?

    En fourreau pleats are such a pain in the ass. Especially if you’re working with a striped material. Does anybody know if it’s absolutely necessary to pleat the fabric to have an en fourreau back? Because I’ve seen gowns without pleats but none of them are actual extant examples, just movie costumes.

    This one here is from Marie Antoinette. Although it’d be easier to make the back like in the picture, I want my gown to be accurate so I’m kinda stuck… Any help here?


  • #marie antoinette      #18th century      #en fourreau      #costume struggles      #personal      #robe a l'anglaise      




    January 8, 2011

    2 years ago





  • Back details of a striped robe a l’anglaise used in The Duchess, c. 1780s
I seriously love the back of this dress! Great inspiration for the anglaise I’m currently working on.

    Back details of a striped robe a l’anglaise used in The Duchess, c. 1780s

    I seriously love the back of this dress! Great inspiration for the anglaise I’m currently working on.


  • #1780s      #18th century      #used in movie      #robe a l'anglaise      




    2 years ago





  • Robe à l’anglaise, 1785
Pale blue striped silk; “compères” front; matching petticoat.
Kyoto Costume Institute

    Robe à l’anglaise, 1785

    Pale blue striped silk; “compères” front; matching petticoat.

    Kyoto Costume Institute


  • #18th century      #robe a l'anglaise      #1780s      #extant      




    January 7, 2011

    2 years ago





  • defunctfashion:


Robe à l’Anglaise | c. 1775


WANT

    defunctfashion:

    Robe à l’Anglaise | c. 1775

    WANT


  • #18th century      #robe a l'anglaise      #1770s      #extant      




    December 15, 2010

    2 years ago





  • Zone front gown from The Duchess.
I’m going to Vienna this weekend and I plan to do some fabric shopping. I would really love to buy something similar to the solid-blue fabric of the bodice and underskirt. The first time I saw it I thought it was some kind of corduroy but then I read somewhere that it’s most likely silk. I am not so good at distinguishing the subtle differences between types of silk so I would really really need some help here.
What do you guys think? Please leave your answers in the ask box. THANK YOU <3

    Zone front gown from The Duchess.

    I’m going to Vienna this weekend and I plan to do some fabric shopping. I would really love to buy something similar to the solid-blue fabric of the bodice and underskirt. The first time I saw it I thought it was some kind of corduroy but then I read somewhere that it’s most likely silk. I am not so good at distinguishing the subtle differences between types of silk so I would really really need some help here.

    What do you guys think? Please leave your answers in the ask box. THANK YOU <3


  • #18th century      #used in movie      #1780s      #1790s      #zone front      #robe a l'anglaise      




    November 25, 2010

    2 years ago





  • defunctfashion:

Robe à l’Anglaise | c. 1780 - 1790


Hats off to the second half of the 18th century! It&#8217;s undoubtedly my favourite period. I can&#8217;t wait to finish my stays&#8230;.!

    defunctfashion:

    Robe à l’Anglaise | c. 1780 - 1790


    Hats off to the second half of the 18th century! It’s undoubtedly my favourite period. I can’t wait to finish my stays….!


  • #18th century      #1780s      #1790s      #hat      #robe a l'anglaise      #extant      




    October 25, 2010

    2 years ago





  • This is one of my favourite dresses from the Kyoto Costume Institute collection! I even made an attempt to draw it, but I think it is preferable to show you the original version.
Robe à l&#8217;anglaise with black and wine-coloured decoration and fichu at neck, 1790s.
A fichu was a thin draped material which covered the shoulders and neck, sometimes tucked into the stomacher or crossed over the breasts. In the 19th century, after cashmere was brought to Western Europe, the fichu was replaced with large shawls.

    This is one of my favourite dresses from the Kyoto Costume Institute collection! I even made an attempt to draw it, but I think it is preferable to show you the original version.

    Robe à l’anglaise with black and wine-coloured decoration and fichu at neck, 1790s.

    A fichu was a thin draped material which covered the shoulders and neck, sometimes tucked into the stomacher or crossed over the breasts. In the 19th century, after cashmere was brought to Western Europe, the fichu was replaced with large shawls.


  • #18th century      #robe a l'anglaise      #extant      #1790s      




    July 7, 2010

    2 years ago





  • gingerpunch:

lostsplendor:

stellar-raven:

The Love Missive (1875) by Carl Herpfer.

    gingerpunch:

    lostsplendor:

    stellar-raven:

    The Love Missive (1875) by Carl Herpfer.


  • #18th century      #1870s      #robe a l'anglaise      #painting      




    June 1, 2010

    3 years ago





  • Queen Charlotte by Benjamin West, 1779

    Queen Charlotte by Benjamin West, 1779


  • #18th century      #painting      #robe a l'anglaise      #1770s      




    May 28, 2010

    3 years ago





  • fuckyeahvictorians:

stellar-raven:

Charlotte Corday (1860) by Paul Jacques Aime Baudry.


Oh I know the painting is a bit creepy. Her dress is absolutely wonderful though.

    fuckyeahvictorians:

    stellar-raven:

    Charlotte Corday (1860) by Paul Jacques Aime Baudry.

    Oh I know the painting is a bit creepy. Her dress is absolutely wonderful though.


  • #painting      #zone front      #18th century      #robe a l'anglaise      #1780s      




    May 23, 2010

    3 years ago





  • Mary Lady Kent by Joshua Reynolds, 1777

    Mary Lady Kent by Joshua Reynolds, 1777


  • #painting      #18th century      #robe a l'anglaise      #zone front      




    May 5, 2010

    3 years ago





  • The Stolen Kiss by Jean-Honoré Fragonard, late 1780s

    The Stolen Kiss by Jean-Honoré Fragonard, late 1780s


  • #painting      #18th century      #1780s      #zone front      #robe a l'anglaise      




    April 2, 2010

    3 years ago





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