hats and laces

a peek into fashions of the past centuries.
open the closet and indulge yourself in silks, bows, velvet fans and embroidered skirts.
run by andra.

recommend what they wore.

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  • (Source: lowmorale, via tea-with-marie)


  • #18th century      #robe a la francaise      #painting      




    March 30, 2012

    1 year ago





  • 18thcenturyfashion:

Detail of the painting Marie-Josèphe de Saxe, Dauphine de France en 1747

This needs reblogging. Sorry I’ve been gone but I’m back now and I will attend soon to the two requests in my ask box <3

    18thcenturyfashion:

    Detail of the painting Marie-Josèphe de Saxe, Dauphine de France en 1747

    This needs reblogging. Sorry I’ve been gone but I’m back now and I will attend soon to the two requests in my ask box <3


  • #18th century      #1740s      #painting      #stomacher      #fabulousness      




    February 21, 2011

    2 years ago





  • fripperiesandfobs:

Gown
1740’s (made)
1780’s (altered)
From the V&amp;A
oh yes.



Originally, the gown was probably a sack back, with loose box pleats at  the back to allow for maximum display of the silk pattern.   The gown  would have been open down the front, with folded-back robings and  rectangular cuffs at each elbow. The last conversion in the 1780s to the  style of that time was quite clumsily executed, suggesting that perhaps  the gown had been handed down to a maid.
(V&amp;A Museum)

This is clumsily executed? I think it looks good but hey I&#8217;m no expert. I&#8217;d love to execute my dresses so clumsily.
By the way, send more requests my way. I don&#8217;t want this blog to turn into 18th-century-obsession-fest but I&#8217;m too lazy to think of what era to post.

    fripperiesandfobs:

    Gown

    1740’s (made)

    1780’s (altered)

    From the V&A

    oh yes.

    Originally, the gown was probably a sack back, with loose box pleats at the back to allow for maximum display of the silk pattern. The gown would have been open down the front, with folded-back robings and rectangular cuffs at each elbow. The last conversion in the 1780s to the style of that time was quite clumsily executed, suggesting that perhaps the gown had been handed down to a maid.

    (V&A Museum)

    This is clumsily executed? I think it looks good but hey I’m no expert. I’d love to execute my dresses so clumsily.

    By the way, send more requests my way. I don’t want this blog to turn into 18th-century-obsession-fest but I’m too lazy to think of what era to post.

    (via defunctfashion)


  • #18th century      #1780s      #1740s      #robe a l'anglaise      #extant      




    February 8, 2011

    2 years ago





  • omgthatdress:

Evenign dress ca. 1784-1790 via The Los Angeles County Museum of Art

Would it be absolutely ridiculous if I wore my hair like that?

    omgthatdress:

    Evenign dress ca. 1784-1790 via The Los Angeles County Museum of Art

    Would it be absolutely ridiculous if I wore my hair like that?


  • #18th century      #extant      #1780s      #evening dress      




    February 2, 2011

    2 years ago





  • chocolatepot:

Reception gown (or costume), Mme Ed. E. Thomé, ca. 1880; silk
Metropolitan Museum of Art 1998.271a, b; Gift of Richard Martin
Victorian fashion always contained some kind of historicizing element, and in the 1880s fashion’s focus was on the eighteenth century.  The pleats on the back of this dress are reminiscent of the sack back of a robe à la française, as are the lacy engageants; the pleated trim is a replica of that found on many historical gowns; and the compère front, with the appearance of a buttoned waistcoat, is also an historical touch.






How did I not know about this?! It&#8217;s my two most-beloved periods in fashion history combined&#8230; I couldn&#8217;t possibly ask for more! IT&#8217;S ABSOLUTELY STUNNING.
One day when I get better at sewing, I will definitely make myself one.

    chocolatepot:

    Reception gown (or costume), Mme Ed. E. Thomé, ca. 1880; silk

    Metropolitan Museum of Art 1998.271a, b; Gift of Richard Martin

    Victorian fashion always contained some kind of historicizing element, and in the 1880s fashion’s focus was on the eighteenth century.  The pleats on the back of this dress are reminiscent of the sack back of a robe à la française, as are the lacy engageants; the pleated trim is a replica of that found on many historical gowns; and the compère front, with the appearance of a buttoned waistcoat, is also an historical touch.

    How did I not know about this?! It’s my two most-beloved periods in fashion history combined… I couldn’t possibly ask for more! IT’S ABSOLUTELY STUNNING.

    One day when I get better at sewing, I will definitely make myself one.

    (via mimic-of-modes)


  • #19th century      #extant      #victorian      #1880s      #wedding dress      #18th century      #inspirational      #robe a la francaise      #sack back gown      #lace      #favorite gown      




    January 21, 2011

    2 years ago





  • 18thcenturylove:

Atelier of a Painter with a Student by Marie-Victoire Lemoine, 1796

    18thcenturylove:

    Atelier of a Painter with a Student by Marie-Victoire Lemoine, 1796


  • #18th century      #painting      #chemise a la reine      #robe a l'anglaise      




    2 years ago





  • chocolatepot:

whattheywore:

En fourreau pleats are such a pain in the ass. Especially if you’re working with a striped material. Does anybody know if it’s absolutely necessary to pleat the fabric to have an en fourreau back? Because I’ve seen gowns without pleats but none of them are actual extant examples, just movie costumes.
This one here is from Marie Antoinette. Although it’d be easier to make the back like in the picture, I want my gown to be accurate so I’m kinda stuck… Any help here?

The trouble with museum photos is that the ones that won’t zoom are generally from too far away to really tell, so I’ve found a few that look like they have the center back cut en fourreau, with shaped pieces on either side of the CB pieces: one, two, three, four, five.  However, these merely have deeply pointed backs, and aren’t en fourreau: one, two, three.  (And, for good measure, some with stitched-down pleats: one, two.)  What you might want to do - assuming you haven’t already, sorry if you have - is check Janet Arnold’s Patterns of Fashion I and Norah Waugh’s Cut of Women’s Clothes.  There are multiple patterns of robes à l’anglaise in them.  I’d look for you, but I won’t be in the same place as mine for about a week.  I can check when I get back to them, though, if you’d like.  But going by MMA examples, it looks like you could probably do and en fourreau back with shaped pieces.
You said more recently that you’re having trouble fitting the back - you might want to try Googling for directions on making a duct-tape mannequin.  I’ve never tried using one, but it’s got to be easier than fitting it to yourself.

Thank you for the answer. I also noticed two other people replied so this post is for them as well.
It&#8217;s good to know the non-pleated en fourreau back is accurate too. The examples at the Met were helpful, especially the blue Danish gown. I never came across that one when I looked on the website&#8230; I love how you can always find something new on there.
Yes, I once googled for duct tape dummy tutorials but I got bored reading them and gave up the idea. I&#8217;ll just have to ask my sister to pin the bodice lining pieces on me and see if they fit.
I did check Janet Arnold&#8217;s Patterns of Fashion but the only en fourreau gown in the book is pleated. I don&#8217;t have Norah Waugh&#8217;s book though I&#8217;ll buy it when I have more money.
As for my dress, I have already started doing the pleats. It wasn&#8217;t really that hard and I rather like how they look. I will post some photos later if the camera stops hating me.

    chocolatepot:

    whattheywore:

    En fourreau pleats are such a pain in the ass. Especially if you’re working with a striped material. Does anybody know if it’s absolutely necessary to pleat the fabric to have an en fourreau back? Because I’ve seen gowns without pleats but none of them are actual extant examples, just movie costumes.

    This one here is from Marie Antoinette. Although it’d be easier to make the back like in the picture, I want my gown to be accurate so I’m kinda stuck… Any help here?

    The trouble with museum photos is that the ones that won’t zoom are generally from too far away to really tell, so I’ve found a few that look like they have the center back cut en fourreau, with shaped pieces on either side of the CB pieces: one, two, three, four, five.  However, these merely have deeply pointed backs, and aren’t en fourreau: one, two, three.  (And, for good measure, some with stitched-down pleats: one, two.)  What you might want to do - assuming you haven’t already, sorry if you have - is check Janet Arnold’s Patterns of Fashion I and Norah Waugh’s Cut of Women’s Clothes.  There are multiple patterns of robes à l’anglaise in them.  I’d look for you, but I won’t be in the same place as mine for about a week.  I can check when I get back to them, though, if you’d like.  But going by MMA examples, it looks like you could probably do and en fourreau back with shaped pieces.

    You said more recently that you’re having trouble fitting the back - you might want to try Googling for directions on making a duct-tape mannequin.  I’ve never tried using one, but it’s got to be easier than fitting it to yourself.

    Thank you for the answer. I also noticed two other people replied so this post is for them as well.

    It’s good to know the non-pleated en fourreau back is accurate too. The examples at the Met were helpful, especially the blue Danish gown. I never came across that one when I looked on the website… I love how you can always find something new on there.

    Yes, I once googled for duct tape dummy tutorials but I got bored reading them and gave up the idea. I’ll just have to ask my sister to pin the bodice lining pieces on me and see if they fit.

    I did check Janet Arnold’s Patterns of Fashion but the only en fourreau gown in the book is pleated. I don’t have Norah Waugh’s book though I’ll buy it when I have more money.

    As for my dress, I have already started doing the pleats. It wasn’t really that hard and I rather like how they look. I will post some photos later if the camera stops hating me.

    (via mimic-of-modes)


  • #sewing issues      #personal      #ramble      #18th century      #robe a l'anglaise      




    January 19, 2011

    2 years ago





  • En fourreau pleats are such a pain in the ass. Especially if you&#8217;re working with a striped material. Does anybody know if it&#8217;s absolutely necessary to pleat the fabric to have an en fourreau back? Because I&#8217;ve seen gowns without pleats but none of them are actual extant examples, just movie costumes.
This one here is from Marie Antoinette. Although it&#8217;d be easier to make the back like in the picture, I want my gown to be accurate so I&#8217;m kinda stuck&#8230; Any help here?

    En fourreau pleats are such a pain in the ass. Especially if you’re working with a striped material. Does anybody know if it’s absolutely necessary to pleat the fabric to have an en fourreau back? Because I’ve seen gowns without pleats but none of them are actual extant examples, just movie costumes.

    This one here is from Marie Antoinette. Although it’d be easier to make the back like in the picture, I want my gown to be accurate so I’m kinda stuck… Any help here?


  • #marie antoinette      #18th century      #en fourreau      #costume struggles      #personal      #robe a l'anglaise      




    January 8, 2011

    2 years ago





  • Back details of a striped robe a l&#8217;anglaise used in The Duchess, c. 1780s
I seriously love the back of this dress! Great inspiration for the anglaise I&#8217;m currently working on.

    Back details of a striped robe a l’anglaise used in The Duchess, c. 1780s

    I seriously love the back of this dress! Great inspiration for the anglaise I’m currently working on.


  • #1780s      #18th century      #used in movie      #robe a l'anglaise      




    2 years ago





  • Transitional style to the classical-inspired Regency silhouette, 1790s
KCI

    Transitional style to the classical-inspired Regency silhouette, 1790s

    KCI


  • #18th century      #extant      #1790s      




    2 years ago





  • Robe à l&#8217;anglaise, 1785
Pale blue striped silk; &#8220;compères&#8221; front; matching petticoat.
Kyoto Costume Institute

    Robe à l’anglaise, 1785

    Pale blue striped silk; “compères” front; matching petticoat.

    Kyoto Costume Institute


  • #18th century      #robe a l'anglaise      #1780s      #extant      




    January 7, 2011

    2 years ago





  • omgthatdress:

wedding gown ca. 1799 via The Museum of Fine Arts, Boston

Amazing sleeves!

    omgthatdress:

    wedding gown ca. 1799 via The Museum of Fine Arts, Boston

    Amazing sleeves!


  • #18th century      #extant      #1790s      #regency      #empire waistline      




    January 5, 2011

    2 years ago





  • whattheywore:




Gown worn in Marie Antoinette, 1780s

Yes, reblogging myself, ain&#8217;t that crazy?
But I was looking through my archives and noticed  (gorgeous) old posts just stood there sad and note-less and decided to give them some lovin&#8217;.

    whattheywore:

    Gown worn in Marie Antoinette, 1780s

    Yes, reblogging myself, ain’t that crazy?

    But I was looking through my archives and noticed (gorgeous) old posts just stood there sad and note-less and decided to give them some lovin’.


  • #18th century      #marie antoinette      #robe a la francaise      #worn in movie      #1780s      




    2 years ago





  • Great news! The Kyoto Costume Institute finally has fixed their site.
Fan and robe a la francaise, 1760s.

    Great news! The Kyoto Costume Institute finally has fixed their site.

    Fan and robe a la francaise, 1760s.


  • #18th century      #accessory      #robe a la francaise      #1760s      #extant      




    December 15, 2010

    2 years ago





  • defunctfashion:


Robe à l’Anglaise | c. 1775


WANT

    defunctfashion:

    Robe à l’Anglaise | c. 1775

    WANT


  • #18th century      #robe a l'anglaise      #1770s      #extant      




    2 years ago





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